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Blog Post

B117 - Pan

Updated: Dec 3, 2021

(Original English post below)

我為這一瓶新的彩油感到十分興奮!這是系統上十分重要的一步。藍綠色/紅色名為潘神,就像是 B116 精靈女皇的伙伴,在11/11這特別的一天誕生,象徵着很多不同層次的大門打開,11這數字本來就好像一扇門。

當這瓶油誕生時,它通過這扇敝開的大門,預測並給予啟示我們朝着即將到來的方向發展。 

大自然包含着所有的樹木、植物、水晶、寶石以及我們的內在本質,以滿滿的生命力來展示大自然的本質和魅力,事實上無論在任何環境下,大自然依然跟隨着自己的本質而存在這世界上。藍綠色是創意的主要體現,也是生命旅途的一種表達;在我而言,當藍綠色配合下層的紅色時,這種創造力真的能夠體現在地球上。我們可以透過連結自己的想法和情感、我們的本質和如何將其展示在實相中,真正把創意顯化。我深深感覺到這瓶油讓我們為自我探索的旅程負上責任,可以看穿一切的投射。隨着愈來愈多的意識能量降落地球,藍綠色也代表個人獨特性的發展,這證明我們比從前更能夠扎根地活出自己。古老的智慧啟動了地球上每一個生命體,支持着我們個人和集體意識的發展。


因為跟精靈女皇緊密的連結,我想引用英國詩人珀西‧比希‧雪萊 (Percy Byshe Shelley) 的一首詩-《潘神的讚美詩》:


從森林和高原

我們來了,我們來了;

從許多環江的島嶼,

當浪濤成了啞巴

聆聽着我甜美的笛聲。

在蘆葦和草叢中的風兒,

在百里香中的蜜蜂,

在桃金孃灌木叢的鳥兒,

在椴樹上的蟬兒,

在草叢下的蜥蝪,

都像老特母路斯般寧靜,

聆聽着我甜美的笛聲。


潘尼斯河流在流動,

漆黑的謄比谷座落

在皮立翁山的背影,大得淹沒了

垂死之日的光輝,

被我甜美的笛聲祝福。

森林之神們、樹精們、人羊族群們

山林和泉水的仙女們,

走到濕潤河岸的邊緣,

以及降露洞穴的邊界,

跟隨着我的笛音,

懷着滿腔熱誠的愛寧靜地傾聽,就像你現在,阿波羅,

羨慕着我甜美的笛聲。


我在歌頌群飛起舞的星星,

我在歌頌千變萬化的塵土,

歌頌天堂,和巨大的戰火,

和愛,以及生死,

然後我轉換了笛聲,

歌唱我怎樣離開麥拉魯斯山

怎樣追求一位少女,最後手只執緊一束蘆葦。

神與人們!我們都這樣被哄騙!

傷透了我們的心而流血不止。

我相信你會,悲慘地哭泣,

如果嫉妒和歲月還未凍結你的血液,

聽着我悲痛的笛聲。


在這首詩歌中,雪萊描繪出潘神和阿波羅之間的音樂比賽。在希臘神話中,阿波羅是音樂之神,潘神被認為是代表原野的音樂之神,屬於大自然的,放牧的和山林的。他的創意來自他的感觀。這種大自然的美麗透過潘神的五感充分在他的笛聲全然表達得淋漓盡致。在奧維德的《金驢記》中,潘神想追求山林的仙女,最後發現她變成了一束蘆葦,而這就是潘神手中的笛子。仙女的美化成了蘆葦,這是讓潘神不能抵擋內在美的全有-她不再思考和感受,跟潘神一起時,她便成為她的本質。


半人半羊的潘神經常與性有聯繫,生殖器官顯易而見。B117下層的紅色,性能量或昆達利尼能量也是不可或缺的。


紅色的能量經常跟忿怒有着密切的關係,有趣的是驚慌的英文 (Panic) 是來自潘神在午睡驚醒而有的忿怒 (Pans rage)。這種從睡夢中驚醒,從不同維度的醒覺普遍會帶有一種忿怒和激動的情緒,有一種「不是自己」的感覺,開始覺醒去面對我們不熟悉的、空洞或空虛感。這些種種的結合為我們帶來另一種覺知,帶來一個覺醒的窗口。


巴魯赫‧史賓諾沙 (Baruch Spinoza)是一位17世紀的哲學家,他寫了很多著作跟大自然的神聖有關,很多人稱他為多神論之父。這種大自然的本質該是被受尊敬、被承認的,尤其在這年代,這論述應被復活的。精靈女皇和潘神的誕生真是在提醒我們關於大自然的信息。


今天,水星將會在太陽面前經過,需時五個半小時,水星的直徑是太陽的1/194。天氣許可的話,我們可運用太陽瀘光鏡看到此奇景。上一次水星在太陽面前經過是2016年5月,再上一次已是2006年。一世紀內水星經過太陽平均會出現13次。


水星象徵我們的溝通,正正對應潘神瓶上層的藍綠色,伴隨着下層的紅色,透過紅色的分析能力、智力和能量的本源表達出來。這個瓶子協助我們把深層次的感受和內在表達。


我們來到一個重要的時刻,現在的Aura Soma強調和重視社交和媒體的溝通,讓Aura Soma在市場上變得清晰可見,從壁龕走出世界。這意圖在這個新瓶子變得非常明顯。這是一個極好的機會讓 Aura Soma 的社群更明白這顏色系統,讓我們可以走在一起,透過不同的窗口、網站,結合所有的能量成就這偉大的願景,支持人類的覺醒旅程。這瓶油的誕生猶如2020年開始前的先驅,在未來幾個月給予我們空間去反思、成長、啟發和把創意顯化在生活中。11和7意味着這扇門的考驗,每一扇門的打開,我們可能需要面對不可預測的、不熟悉的和感到不舒適的事情,尤其當我們的信念被考驗的時候。11有着苦修派教徒的連結,一束花朵被測試哪一個是真實的,哪一個需要重新審視的。1/1+7 變成 18 再變成 9 提醒我們來自古埃及配種帶來覺醒的可能性,喚醒我們內在的蛇,也是喚醒 9 內心的一部分,這股創造的力量從古老的文明走到現今這世代。請繼續跟隨內在的光,我還想分享這個瓶子也支持我們跟隨着正確的意圖,保護我們不容易受外來的操縱和控制。


光與愛

Mike Booth


Pan B117 - Turquoise / Red Born 11th November, 2019 at 11:11am GMT

I'm excited for the birth of our new bottle and it feels like another really important step in the evolution of the system. Turquoise/Red and called Pan, almost the expression of the consort to Queen Mab, a wonderful moment in time (11/11), there's so many openings for us, doorways to levels of being as the 11 is always a doorway.

When this bottle comes to be it comes through an open door predicting and inspiring us towards that which is to come.

The spirit in nature revealed in a dynamic form, the spirit of nature that is contained in all trees, plants, crystals, gems, and within ourselves; in fact the spirit of nature wherever it may exist. The Turquoise is always the creative force as its principal aspect as well as an expression of the journey; it seems to me when it is linked with the Red that that creative force really comes to Earth. That we may manifest a creativity, that we may come to understand our thoughts and feelings, our Being and how they shape our own reality. In a way it's a bottle that I feel is going to help each of us in taking responsibility for our inner journey, in a way that goes beyond projections or transference. The Turquoise we also think strongly of in relation to the journey of individuation and as more consciousness waves become available to us in the light grid upon the earth, it's as though we can become grounded and can do so in a way that has been previously less available. Activation by the elders that's necessary for the being of the Earth to support us individually and collectively in the journey towards ourselves.

Because of the obvious and profound connection with Queen Mab I wanted to quote the 'Hymn of Pan' by Percy Byshe Shelley:

From the forests and highlands We come, we come; From the river-girt islands, Where loud waves are dumb Listening to my sweet pipings. The wind in the reeds and the rushes, The bees on the bells of thyme, The birds on the myrtle bushes, The cicale above in the lime, And the lizards below in the grass, Were as silent as ever old Tmolus was, Listening to my sweet pipings. Liquid Peneus was flowing, And all dark Tempe lay In Pelion's shadow, outgrowing The light of the dying day, Speeded by my sweet pipings. The Sileni, and Sylvans, and Fauns, And the Nymphs of the woods and the waves, To the edge of the moist river-lawns, And the brink of the dewy caves, And all that did then attend and follow, Were silent with love, as you now, Apollo, With envy of my sweet pipings.

I sang of the dancing stars, I sang of the daedal Earth, And of Heaven, and the giant wars, And Love, and Death, and Birth- And then I chang'd my pipings, Singing how down the vale of Maenalus I pursu'd a maiden and clasp'd a reed. Gods and men, we are all deluded thus! It breaks in our bosom and then we bleed. All wept, as I think both ye now would, If envy or age had not frozen your blood, At the sorrow of my sweet pipings.

In his poem Shelley writes of a musical contest between Pan and Apollo. In the Greek Mythology, where Apollo is the god of music, Pan was attributed as the god of rustic music, of nature, of the wild, of shepherds and of mountains - his creativity comes from his senses. This expression of the beauty in nature and using the senses to feel rather than relying on the intellect is further expressed within Pan's pipes. In the tale from Ovid's 'Metamorphoses' the pipes are created when Pan attempts to hold the nymph Syrinx only to discover that he is clasping reeds. Syrinx's beauty has continued from herself as a nymph to her reed-form, it is this existential inner beauty Pan finds irresistible - she is no longer thinking or feeling - with Pan she has truly become.

Half man, half goat Pan is also very often associated with sex, often seen with a phallus. As we look at the red in the base fraction this sexual energy or kundalini energy cannot be denied.

Red energy is often associated with rage and it's interesting that the word Panic comes from Pans rage when he was woken from his afternoon sleep. This awakening from slumber, the awakening from the dream, the awakening from another state of being can often be accompanied by a sense of rage, a sense of anger, a sense of being not oneself, for truly if it is that we begin to awaken then we face the unfamiliar, the void or emptiness. This combination really brings us to a different sort of awareness, the awareness that really has the potential of awakening.

Baruch Spinoza, a 17th Century philosopher published many works theorising on the divine in all nature, many would call him the father of pantheism. This spirit in nature is also something to be revered, something to be acknowledged and in our time the necessity for it to be resurrected. Queen Mab and Pan really call upon us in this re-evaluation.

Today, Mercury will pass directly in front of the sun, it will take five and a half hours to cross the face of the sun, Mercury is 1/194th the diameter of the sun so a telescope with a solar filter will be required to see it, weather permitting. The last time Mercury crossed the sun was May, 2016 and before that in 2006. Mercury transits happen 13 times per century on average.

Mercury is the key signifier for our communication, similarly reflective in the Turquoise, upper fraction of Pan, along with analytical abilities and intellect and the energy to express it coming from the Red. This is the bottle that might help us to express the deeper levels of our feelings from the depth of ourselves.

We come to a time when in Aura-Soma we are really putting an emphasis in relation to social and media communications, the energy that is necessary for Aura-Soma to be more visible and less niche in the world. The way this translates itself in this bottle is only too apparent. It's a wonderful opportunity for the community of Aura-Soma to have an understanding of the system and its unfoldment to really come together to utilise the opportunity that the company has invested in, in relation to the portal, the website, the opportunity to bring our energies together to help to fulfil the vision and the support of humanity in the awakening journey at this point in time. In a way it's a precursor for events, beginning in 2020 so one of the doorways is also for the next few months, reflection, growth, inspiration, creativity being grounded in daily life. The test of that doorway 11/7 shows us every time a door opens we might have to face something unexpected, something unfamiliar and the uncomfortable nature where our faith is tested. There is an Essene connection of the 11, the chain of flowers being tested as to what's true and what needs re-evaluation. As it comes together as a 9 via the 18 then also it reminds us of the potential of awakening that began in the hybridisation that began in ancient Egypt and gave us the opportunity to awaken the snake within ourselves as part of the heart within the heart of the 9, this creative force ever present through world culture from the earliest beginnings from the earliest times up to the present day. To follow the light within. Something that I also wish to share is that this bottle might also help to protect us from frequencies of manipulation if we really work with it with our appropriate intentions.


Love & Light

Mike

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